"For the perfect idler, for the passionate observer it becomes an immense source of enjoyment to establish his dwelling in the throng, in the ebb and flow, the bustle, the fleeting and the infinite. To be away from home and yet to feel at home anywhere; to see the world, to be at the very center of the world, and yet to be unseen of the world, such are some of the minor pleasures of those independent, intense and impartial spirits, who do not lend themselves easily to linguistic definitions. The observer is a prince enjoying his incognito wherever he goes."
"The traveler, however virginal and enthusiastic, does not enjoy an unbroken ecstasy. He has periods of gloom, periods when he asks himself the object of all these exertions, and puts the question whether or not he is really experiencing pleasure. At such times he suspects that he is not seeing the right things, that the characteristic, the right aspects of these strange scenes are escaping him. He looks forward dully to the days of his holiday yet to pass, and wonders how he will dispose of them. He is disgusted because his money is not more, his command of the language so slight, and his capacity for enjoyment so limited."
"The modern American tourist now fills his experience with pseudo-events. He has come to expect both more strangeness and more familiarity than the world naturally offers. He has come to believe that he can have a lifetime of adventure in two weeks and all the thrills of risking his life without any real risk at all."
"Not so many years ago there was no simpler or more intelligible notion than that of going on a journey. Travel --movement through space --provided the universal metaphor for change. One of the subtle confusions --perhaps one of the secret terrors --of modern life is that we have lost this refuge. No longer do we move through space as we once did."
"Modern tourist guides have helped raised tourist expectations. And they have provided the natives -- from Kaiser Wilhelm down to the villagers of Chichacestenango -- with a detailed and itemized list of what is expected of them and when. These are the up-to-date scripts for actors on the tourists stage."
"I am so convinced of the advantages of looking at mankind instead of reading about them, and of the bitter effects of staying at home with all the narrow prejudices of an Islander, that I think there should be a law amongst us to set our young men abroad for a term among the few allies our wars have left us."
"To be a tourist is to escape accountability. Errors and failings don't cling to you the way they do back home. You're able to drift across continents and languages, suspending the operation of sound thought. Tourism is the march of stupidity. You're expected to be stupid. The entire mechanism of the host country is geared to travelers acting stupidly. You walk around dazed, squinting into fold-out maps. You don't know how to talk to people, how to get anywhere, what the money means, what time it is, what to eat or how to eat it. Being stupid is the pattern, the level and the norm. You can exist on this level for weeks and months without reprimand or dire consequence. Together with thousands, you are granted immunities and broad freedoms. You are an army of fools, wearing bright polyesters, riding camels, taking pictures of each other, haggard, dysenteric, thirsty. There is nothing to think about but the next shapeless event."
"I am not much an advocate for traveling, and I observe that men run away to other countries because they are not good in their own, and run back to their own because they pass for nothing in the new places. For the most part, only the light characters travel. Who are you that have no task to keep you at home?"
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