(Explore) I have been reading the reports on global warming at the IPCC, Intergovernmental Panel on Climate Change. As a business school professor, I am particularly interested in how human communities, economies, and businesses will adapt to the challenges of the future. I have been studying the polar region and Greenland in particular because I think these places are the most affected right now--by studying how communities and economies in this region adapt, perhaps there can be lessons for all of us.
Once one gets over the shocking facts in the report--for example, there is now at least one model of ice melt that has the north pole free of ice, all year, by 2013--the interesting tone of the report is that adaptation will be highly localized. And indeed at my conference, where we had a number of environmentalists, the message was the same: While climate change is global, its effects and solutions will be highly localized. Right now we see a lot of "top-down" activity--Kyoto accord, Walmart's positive efforts--but in the future the resilience of our society will be based on local creativity and political courage.
"Sharing Silent Moments"
Two friends sharing moments of full complicity. No words needed.
You quiet stand
With a sweet look
While I rest my hand
in my memories book
Have a great weekend my Flick friends
Seize your days
Texture by: Lenabem-anna
Thank you Anna
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Because of their courage, their lack of fear, they (creative people) are willing to make silly mistakes. The truly creative person is one who can think crazy; such a person knows full well that many of his great ideas will prove to be worthless. The creative person is flexible -- he is able to change as the situation changes, to break habits, to face indecision and changes in conditions without undue stress. He is not threatened by the unexpected as rigid, inflexible people are.
Creativity is essentially a lonely art. An even lonelier struggle. To some a blessing. To others a curse. It is in reality the ability to reach inside yourself and drag forth from your very soul an idea.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
I understood that all the material of a literary work was in my past life, I understood that I had acquired it in the midst of frivolous amusements, in idleness, in tenderness and in pain, stored up by me without my divining its destination or even its survival, as the seed has in reserve all the ingredients which will nourish the plant.
The creative person wants to be a know -it -all. He wants to know about all kinds of things: ancient history, nineteenth -century mathematics, current manufacturing techniques, flower arranging, and hog futures. Because he never knows when these ideas might come together to form a new idea. It may happen six minutes later or six months, or six years down the road. But he has faith that it will happen.
The desire to create continually is vulgar and betrays jealousy, envy, ambition. If one is something one really does not need to make anything --and one nonetheless does very much. There exists above the productive man a yet higher species.
There is the happiness which comes from creative effort. The joy of dreaming, creating, building, whether in painting a picture, writing an epic, singing a song, composing a symphony, devising new invention, creating a vast industry.