Grabstein/Tombstone/Pierre tombale - Albert Camus - Lourmarin, Frankreich/France
Albert Camus (pronounced Kam-oo, IPA: ka.m) (November 7, 1913 January 4, 1960) was a French author and philosopher and one of the principal luminaries (with Jean-Paul Sartre) of existentialism. Camus was the second youngest-ever ...
If only nature is real and if, in nature, only desire and destruction are legitimate, then, in that all humanity does not suffice to assuage the thirst for blood, the path of destruction must lead to universal annihilation.
The world is never quiet, even its silence eternally resounds with the same notes, in vibrations which escape our ears. As for those that we perceive, they carry sounds to us, occasionally a chord, never a melody.
The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom charitable souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case.
To assert in any case that a man must be absolutely cut off from society because he is absolutely evil amounts to saying that society is absolutely good, and no-one in his right mind will believe this today.
Realism should only be the means of expression of religious genius... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.
As usual I finish the day before the sea, sumptuous this evening beneath the moon, which writes Arab symbols with phosphorescent streaks on the slow swells. There is no end to the sky and the waters. How well they accompany sadness!
The society of merchants can be defined as a society in which things disappear in favor of signs. When a ruling class measures its fortunes, not by the acre of land or the ingot of gold, but by the number of figures corresponding ideally to a certain number of exchange operations, it thereby condemns itself to setting a certain kind of humbug at the center of its experience and its universe. A society founded on signs is, in its essence, an artificial society in which man's carnal truth is handled as something artificial.
In our wildest aberrations we dream of an equilibrium we have left behind and which we naively expect to find at the end of our errors. Childish presumption which justifies the fact that child-nations, inheriting our follies, are now directing our history.
For centuries the death penalty, often accompanied by barbarous refinements, has been trying to hold crime in check; yet crime persists. Why? Because the instincts that are warring in man are not, as the law claims, constant forces in a state of equilibrium.
At the heart of all beauty lies something inhuman, and these hills, the softness of the sky, the outline of these trees at this very minute lose the illusory meaning with which we had clothed them, henceforth more remote than a lost paradise... that denseness and that strangeness of the world is absurd.
It is impossible to give a clear account of the world, but art can teach us to reproduce it --just as the world reproduces itself in the course of its eternal gyrations. The primordial sea indefatigably repeats the same words and casts up the same astonished beings on the same sea-shore.
Perhaps we cannot prevent this world from being a world in which children are tortured. But we can reduce the number of tortured children. And if you dont help us, who else in the world can help us do this?
My conclusion will be simple. It will consist of saying, in the very midst of the sound and the fury of our history: Let us rejoice. Let us rejoice, indeed, at having witnessed the death of a lying and comfort-loving Europe and at being faced with cruel truths.