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  ...for all and survives all. A portrait proves whatever one asks of it. Even in its forms of style, in the disdainful generality of the terms in which the story is told, in the terseness of the sentences, in the sequence of the images and of the pictures, traced with classic purity and marvelous vigor, "Rene" maintains its monumental character. Carved, as it were, in material of the present century, with the tools of classical art, "Rene" is the immortal cameo of Chateaubriand. We are never more discontented with others than when we are discontented with ourselves. The consciousness of wrong-doing makes us irritable, and our heart in its cunning quarrels with what is outside it, in order that it may deafen the clamor within.
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The faculty of intellectual metamorphosis is the first and indispensable faculty of the critic; without it he is not apt at understanding other minds, and ought, therefore, if he love truth, to hold his peace. The conscientious critic must first criticise himself; what we do...   Amiel, Henri Frederic

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