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...fair to consider them, and them alone, as exponents of the Romantic school." [5]
As to Byron and Shelley this criticism may do; as to Chatterton and Keats it is misleading. Wordsworth more romantic than Chatterton! More romantic than Keats, because the latter often, and Wordsworth seldom, treats subjects from the antique! On the contrary, if "the name is graven on the workmanship," "Michael" and "The Brothers" are as classical as "Hyperion" or "Laodamia" or "The Hamadryad";
Bald as the bare mountain tops are bald, with a baldness full of grandeur." Bagehot expressly singles Wordsworth out as an example of pure or classic art, as distinguished from the ornate art of such poets as Keats and Tennyson. And Mr. Colvin hesitates to classify him with Landor only because of his "suggestive and adumbrative manner"--not, indeed, he acknowledges, a romantic manner, and yet "quite distinct from the classical"; i.e., because of the transcendental character of a portion of his poetry. But whatever may be true of the other members of the... Arnold, Matthew
Excerpt from A History of English Romanticism in the Nineteenth Century · This quote is about baldness · Search on Google Books to find all references and sources for this quotation.
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