A building is akin to dogma; it is insolent, like dogma. Whether or no it is permanent, it claims permanence, like a dogma. People ask why we have no typical architecture of the modern world, like impressionism in painting. Surely it is obviously because we have not enough dogmas; we cannot bear to see anything in the sky that is solid and enduring, anything in the sky that does not change like the clouds of the sky.
Chesterton, G(ilbert) K(eith). Born May 29, 1874, London, England. Died June 14, 1936, Beaconsfield, Buckinghamshire. A British man of letters. Chesterton was a journalist, a scholar, a novelist and short-story writer, and a poet. His works of social and literary criticism include Robert Browning (1903), Charles Dickens (1906), and The Victorian Age in Literature (1913). Even before his conversion to Roman Catholicism in 1922, he was interested in theology and religious argument. His fiction includes The Napoleon of Notting Hill (1904), the popular allegorical novel The Man Who Was Thursday (1908), and his most successful creation, the series of detective novels featuring the priest-sleuth Father Brown.
I'm male, say nothing