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Nothing is poorer than a truth expressed as it was thought. Committed to writing in such cases, it is not even a bad photograph. Truth wants to be startled abruptly, at one stroke, from her self-immersion, whether by uproar, music or cries for help.

Not to find one's way in a city may well be uninteresting and banal. It requires ignorance -- nothing more. But to lose oneself in a city -- as one loses oneself in a forest -- that calls for a quite different schooling. Then, signboard and street names, passers-by, roofs, kiosks, or bars must speak to the wanderer like a cracking twig under his feet in the forest.
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
Quotations in my work are like wayside robbers who leap out armed and relieve the stroller of his conviction.
The only way of knowing a person is to love them without hope.
He who seeks to approach his own buried past must conduct himself like a man digging. He must not be afraid to return again and again to the same matter; to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from all earlier associations, that stand --like precious fragments or torsos in a collector's gallery --in the prosaic rooms of our later understanding.

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