"One of the fundamental reasons why so many doctors become cynical and disillusioned is precisely because, when the abstract idealism has worn thin, they are uncertain about the value of the actual lives of the patients they are treating. This is not because they are callous or personally inhuman: it is because they live in and accept a society which is incapable of knowing what a human life is worth."

Berger, John on Doctors
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"Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown."

Berger, John on Entertainment
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"The envied are like bureaucrats; the more impersonal they are, the greater the illusion (for themselves and for others) of their power."

Berger, John on Envy
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"Nothing in the nature around us is evil. This needs to be repeated since one of the human ways of talking oneself into inhuman acts is to cite the supposed cruelty of nature."

Berger, John on Evil
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"Glamour cannot exist without personal social envy being a common and widespread emotion."

Berger, John on Glamour
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"When we suffer anguish we return to early childhood because that is the period in which we first learnt to suffer the experience of total loss. It was more than that. It was the period in which we suffered more total losses than in all the rest of our life put together."

Berger, John on Grief
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"The human imagination... has great difficulty in living strictly within the confines of a materialist practice or philosophy. It dreams, like a dog in its basket, of hares in the open."

Berger, John on Imagination
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"One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man."

Berger, John on Language
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"A peasant becomes fond of his pig and is glad to salt away its pork. What is significant, and is so difficult for the urban stranger to understand, is that the two statements are connected by an and not by a but."

Berger, John on Animals
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"I can't tell you what art does and how it does it, but I know that often art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. Art, when it functions like this, becomes a meeting-place of the invisible, the irreducible, the enduring, guts, and honor."

Berger, John on Arts and Artists
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"The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognizes neither pity nor pitilessness."

Berger, John on Media
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"Men act and women appear. Men look at women. Women watch themselves being looked at."

Berger, John on Men and Women
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"All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. Those who dismiss names as a detail have never been displaced; but the peoples on the peripheries are always being displaced. That is why they insist upon their continuity -- their links with their dead and the unborn."

Berger, John on Nationalities and Nationalism
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"Nakedness reveals itself. Nudity is placed on display. The nude is condemned to never being naked. Nudity is a form of dress."

Berger, John on Nudity
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"Ours is the century of enforced travel of disappearances. The century of people helplessly seeing others, who were close to them, disappear over the horizon."

Berger, John on Oppression
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"The past grows gradually around one, like a placenta for dying."

Berger, John on Past
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"Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does."

Berger, John on Photography
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"The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget."

Berger, John on Photography
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"All photographs are there to remind us of what we forget. In this -- as in other ways -- they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it."

Berger, John on Photography
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"Autobiography begins with a sense of being alone. It is an orphan form."

Berger, John on Autobiography
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"The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich. Consequently, the modern poor are not pitied but written off as trash. The twentieth-century consumer economy has produced the first culture for which a beggar is a reminder of nothing."

Berger, John on Poverty and The Poor
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"Publicity is the life of this culture. Without publicity capitalism could not survive and at the same time publicity is its dream."

Berger, John on Publicity
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"When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own."

Berger, John on Books - Reading
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"Is boredom anything less than the sense of one's faculties slowly dying?"

Berger, John on Bores and Boredom
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"Sometimes, because of its immediacy, television produces a kind of electronic parable. Berlin, for instance, on the day the Wall was opened. Rostropovich was playing his cello by the Wall that no longer cast a shadow, and a million East Berliners were thronging to the West to shop with an allowance given them by West German banks! At that moment the whole world saw how materialism had lost its awesome historic power and become a shopping list."

Berger, John on Television
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